Typography is a way of communication with users. Visual performance and readability of copy in digital products have the great impact on user experience. One of guru graphic designers, Hoon Kim, once said: “Typographic design is visible as well as audible. If you have a great scenario, now it is time to cast good actors.” Typography can become a voice of design. Appropriate typography speaks for itself setting the right mood and transferring a certain message to users. Today’s article presents tips which will assist you in creating of effective typography.
Typographic hierarchy makes things work
To create a design pleasant for users’ perception, all its elements should be well organized and clear to navigate. Designers set a proper structure by establishing a visual hierarchy. It organizes all the visual elements so that users could easily perceive content.
Visual hierarchy can be divided into different parts. One of them related only to the copy elements is called typographic hierarchy. It aims at organizing copy content by dividing it into various types such as headings, subheadings, body copy, captions and others. The differences between the types of copy are set by regulation of family, sizes, width, and colors of fonts.
Clear typographic hierarchy makes text legible and easy to scan. Moreover, it’s simple to highlight key parts of the text to draw users’ attention and hitch them to the expected actions.
Consider context and audience
When it comes to the choice of fonts, an essential thing to consider is a context of a copy and a potential audience. Each font brings its own mood to a layout. There are friendly, funny, serious, business, and many other fonts that will fit a certain design.
Before you choose a font, you need to learn your client’s goals as well as needs and preferences of a target audience. Visual performance of fonts influences the first impression users get from the product. If the kind of font doesn’t fit the mood which the product aims at, there can be a misunderstanding with the audience. For example, if a designer chooses a font which looks too fun and silly for a business website, users will hesitate if the company is trustworthy. Or, if a product is meant for youngsters, too formal fonts may seem boring.
Deep attention to mobile typography
Designers often do the experiments with typography to make a project original. However, when it comes to mobile UI design, typographers are literally short of space. Mobile screens are quite small which sets a new challenge for designers to cope with restrictions without loss of sense and functionality. Mobile typography requires deep attention to the details from an appropriate size of fonts to compelling tracking and line length.
Compared to web design, mobile typography is harder to reach a good legibility. The font size shouldn’t be too small because on tiny screens it will look like an illegible mess. Moreover, if the text is too big, it won’t fit the small screen too. In addition, designers need to care about the level of contrast since a screen with ambient light and high contrast can hurt users’ eyes.
Furthermore, a designer should think of the typography functionality. Smartphone UI includes clickable text parts and designers need to make sure users manage to use them. If these parts are too small, people can’t press it with a finger and it’s rather annoying.
Considering all the tiny details in mobile typography, designers can bring valuable products for users.
Minimalism can’t hurt
Sometimes, when designers aim at showing all the facets of a digital product, they try to use lots of various styles and fonts all in a single design. As a result, they get a design overloaded with unnecessary distracting details and lacking a proper mood.
Experts usually try to keep a number of fonts within two or three for the same layout. It allows making an essential contrast between copy elements along with saving the balance and right message of a design. Applying different styles (bold, italic) should also be minimal. They are good for emphasizing really important parts but the overuse of them can make the text look messy.
Also, copy content shouldn’t overwhelm users with the unnecessary information. Of course, it’s a writer’s job to create appropriate text still designers need to collaborate with them to make sure the text will fit a design.
Text needs to breath
Legibility level highly relies on how much space there is between letters, words, and text lines. Tracking, kerning and leading are the processes of white space adjustment between the typographic elements. White space is the area between elements in a design composition.
A lack of white space may end in the bad legibility of copy content because it is difficult to distinguish words which are placed too tight to each other. Appropriate white space brings a visual relief to users’ eyes and allows going easily from one word to another, from one line to the next. However, try not to overuse it otherwise it can ruin text unity.
Build typography like a scientist, revise like an artist
Typography is a complex science consisting of many rules and regulations. Those who covered them are able to create clean working typography. However, it’s is not enough. Clients always require originality and emotion but it can’t be done only by following the written instruction.
Designers should never bury their artistic souls. Imagination and the sense of beauty bring the uniqueness in any project, even the most casual one. Find the balance between the strict rules and unordinary choices, and the results may surprise you and your customers.
Colorful typography needs thoughtfulness
The topic is actively debated. Some think there is no room for color in typography and some claim it’s a must-have for good-looking design. There is no point in looking for the right side of the dispute because there is no accounting for taste. Nevertheless, colorful typography does exist and designers apply it quite often.
Among the advantages of colorful typography, let’s mention the element of emotion it adds to any UI as well as the ability to highlight points of interests for users. Moreover, each color may transfer a certain message since it has an influence on users’ mind and behavior.
To take all the benefits, colorful typography should be applied thoughtfully and carefully because it’s easy to turn UI into a colorful chaos. Here is the useful checklist for this case:
Make it contrast. A big problem which colorful typography may bring is bad legibility. Proper contrast between the fonts and background will help to avoid it. However, make sure the contrast looks pleasant and doesn’t hurt the eyes.
Don’t use too many colors. Again, try not to turn UI into a mess. Too many colors look distractive and amateur.
Color harmony. Remember the basics of art lessons. Use the color wheel and schemes to choose the proper palette.
Be careful with effects. Fluorescent, luminescent, metallic, and glowing colors have their peculiarities and they may not always look good on a digital screen.
Learn the basics of typography
It may sound too obvious still some designers ignore learning basics of typography science. They rely on modern tools which automatically choose the fonts or just hope aesthetic features of chosen fonts would be enough. Such an approach seems like learning to read without knowledge of the alphabet.
Designers who don’t know the concepts and the anatomy of typefaces can’t use the potential of typography at the full strength. Everyone decides for oneself if they need to learn the science in depth but the basics is a foundation of every craft.
The experts working on the problem of harmonical usage of fonts gladly share their knowledge that’s why there are so many useful books on typography for designers. As the recommended reading we can name
- The Elements of Typographic Style by Robert Bringhurst
- Typographie: A Manual of Design by Emil Ruder
- Just My Type: A Book About Fonts by Simon Garfield.
Recommended reading
Here are some articles providing useful tips and tricks in typography.
The 8 biggest typography mistakes designers make
10 typography tricks every designer should know
Originally written for tubikstudio.com
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